Description:

Beginning late in 1991 and throughout the following years, Emily explored a range of techniques after largely abandoning the fine dotting and submerged linear tracking which had characterised her earlier works. She used larger brushes to create broader circular dabs of paint, which often involved 'double dipping' the brush in various colours, before attacking the canvas. In this work, she shows tremendous confidence and great subtlety of colour in rendering the floral profusion throughout her desert homeland after summer rains. The linear application of broad dotting creates swathing rhythm across the canvas. Despite the sweeping gestural flourishes, the resultant image contains considerable nuances, which evoke the physical and spiritual fertility of the land, and radiance of being, that is sought during ceremony.

  • Provenance: Dacou Gallery, SA Private Collection, SA Lawson-Menzies, Sydney, NSW, May 2007, Lot No. 18 Menzies Estate Collection, Vic
  • Dimensions: 127 x 125 cm
  • Literature: Cf. For other works produced during this period at Delmore Downs see: Emily Kngwarreye Paintings, Craftsman House, 1998, plates 64-77, pp 159-179
  • Medium: synthetic polymer paint on Belgian linen
  • Circa: 1995

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